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Clef: BassBass
Measures: 20 - 35
Unique Chords: > 10
Unique Notes: 16 - 20
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edward.maurath
HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major
edward.maurath
2:40 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 34 1 8 96%
Bass 16 13 0 6 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 34 1 8 96%
Bass 16 13 0 6 96%
Cello Bass 16 1 0 6 96%
Semele 14 0 3 10 79%
 
HWV61A1N4 - The fate of babylon, Belshazzar, Nitrocris, 1744
edward.maurath
1:18 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 13 14 6 3 91%
Bass 17 16 6 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 13 14 6 3 91%
Bass 17 16 6 3 100%
Cello Bass 15 0 3 3 100%
NITOCRIS 13 0 4 5 65%
Daniel 11 0 3 3 35%
 
HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)
edward.maurath
2:16 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
Bass 17 20 5 4 83%
Esilena 15 0 6 6 97%
 
HWV8A1N3b - "Ah! Infelice mia patria" Accompagnato for soprano as Amarilli (November 1734)
edward.maurath
1:32 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
Amarilli Treble 14 0 5 3 100%
Contrabasses Bass 11 0 4 3 100%
Violas 9 0 2 4 100%
Violins
1		 Treble 12 0 4 3 100%
Violins
2		 Treble 11 0 4 3 100%
Violoncello Bass 11 0 4 3 100%
Violoncellos Bass 11 0 4 3 100%
 
HWV5A3N21 - "Signore, poich'è lo sdegno"
edward.maurath
1:15 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
Bass 16 11 6 4 52%
Florinda 11 0 0 4 52%
Cembalo (Continuo) Treble 9 10 0 3 48%
Bass 12 10 1 4 50%
Evaneo 9 0 2 4 48%
 
"Occhi belli" from "Il Pastor Fido" HWV 8, 1712
edward.maurath
3:28 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 69 12 7 100%
Bass 20 24 5 5 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 69 12 7 100%
Bass 20 24 5 5 100%
Contrabasses Bass 19 0 4 5 100%
Violins
1		 Treble 18 0 4 5 100%
Violoncellos Bass 19 0 4 5 100%
Soprano 12 0 4 9 77%
 
HWV56N05Y1742 - Mesiah - Thus saith the Lord
edward.maurath
1:40 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso Bass 13 0 3 4 94%
Cello Bass 18 0 4 3 94%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso Bass 13 0 3 4 94%
Cello Bass 18 0 4 3 94%
Viola 10 0 0 3 94%
Violin
I		 Treble 14 0 2 3 94%
Violin
II		 Treble 13 0 3 3 94%
Violone Bass 18 0 4 3 94%
BC
LH		 Bass 18 20 5 5 90%
BC
RH		 Treble 16 18 5 4 61%
 
HWV5A3N03 [Eccello Giove] ... fissi stan la fortuna e il fato
edward.maurath
1:29 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 10 0 2 4 100%
Contrabassi (Continuo) Bass 10 0 2 4 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 10 0 2 4 100%
Contrabassi (Continuo) Bass 10 0 2 4 100%
Viola 11 0 3 4 100%
Viole 11 0 3 4 100%
Violin Treble 13 19 4 4 100%
Violini Treble 13 19 4 4 100%
Violoncelli (Continuo) Bass 10 0 2 4 100%
Violoncello Bass 10 0 2 4 100%
Violoncello (Continuo) Bass 10 0 2 4 96%
Rodrigo 13 0 5 3 91%
Cembalo (Continuo) Treble 18 26 7 5 88%
Bass 18 15 6 6 79%
 
HWV56N22 - Behold the Lamb of God!
edward.maurath
3:15 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 60 6 9 100%
Bass 16 25 3 7 97%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 60 6 9 100%
Bass 16 25 3 7 97%
Violin
I		 Treble 17 0 3 8 100%
Violin
II		 Treble 20 0 4 11 100%
Cello Bass 16 0 3 7 97%
Viola 16 0 3 11 97%
VNE Bass 16 0 3 7 97%
Alto 13 0 3 7 81%
Soprano Treble 13 0 3 9 81%
Basso Bass 15 0 3 7 75%
Tenore 14 0 4 8 75%
 
HWV56N05Y1741 - Messiah - Thus saith the Lord
edward.maurath
1:39 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 18 0 4 7 94%
Contrabass Bass 18 0 4 7 94%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 18 0 4 7 94%
Contrabass Bass 18 0 4 7 94%
Viola 10 0 0 5 94%
Violin
I		 Treble 16 0 3 7 94%
Violin
II		 Treble 13 0 3 5 94%
Harpsichord Treble 21 33 6 7 85%
Bass 18 18 5 7 91%
Basso Bass 13 0 3 6 88%
 
"Nel tuo seno" from "Giulio Cesare," HWV 17 (1724)
edward.maurath
2:34 Est. Play
Time
27 Measures
1,274Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 12 2 6 96%
Bass 17 9 1 5 96%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 12 2 6 96%
Bass 17 9 1 5 96%
Harp Contnuo Treble 21 42 3 6 96%
Bass 18 14 2 5 96%
Contrabassi Continuo Bass 14 0 1 5 96%
Violini 1 Treble 19 0 2 6 96%
Violini 2 Treble 19 0 2 6 96%
Violoncelli Continuo Bass 15 0 1 5 96%
Violoncello Continuo Bass 15 0 1 5 96%
Cornelia Contralto 10 0 2 5 78%